simone.

Jumping into poetry…

April 26, 2008 · Leave a Comment

Words:
-cliff, voice, whir, needle, blackberry, clouds, mother, lick
-include proverb

I am standing
on a cliff
somewhere above the clouds
and the wind,
like the voice of my mother
whirs
and I see her as if
through the eye
of a needle
telling me, softly,
that this, too, shall pass away.

Re-write poem using different style:

I didn’t listen
I obsessed
and when my mother told me
that this, too, shall pass away
I saw the world,
standing on the tip of a needle
stuck
standing
on the tip of a needle
waiting for her to begin
sewing.

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Reflection on Fiction

April 21, 2008 · Leave a Comment

Fiction was supposed to be the unit in which I would feel at home as a writer, but it in fact proved to be the most difficult so far and will stand, I think, as the most difficult unit for me even after poetry, though we haven’t even stepped into poetry yet.

Perhaps it is because I settled into creative non-fiction too nicely and got too comfortable. I’m not sure. I usually tend to think of myself as a fairly creative person, which is why I have always been drawn to fiction – inhabiting different characters’ voices and actually being someone else has always been fun for me. But somehow, throughout this unit, I felt as though I couldn’t get these creative juices to flow. The only consistent feeling I got when sitting down to write was writer’s block.

But though I feel that this fiction portfolio is not up to the standard at which I know I can write, I have learned many things throughout this unit. For one, I am definitely honing my skills in reading as a writer. The step to perfect is applying them. I have also done a lot of experimentation in our exercises and assignments. It may be that they don’t work as individual pieces, but in writing them I am practicing writing. Perhaps this is more important for me as a writer in the long run.

I should mention discipline. You told me in a conference that to be a writer, one needs talent, passion, and discipline (and luck, if we’re going to go there). This unit made me realize just how much I lack discipline. The reason why many of my stories are still unfinished (and not just unfinished in the sense that no piece is ever really “finished” – I mean really, far from finished, as in the ending is nowhere near well thought-out) is because I tell myself that I can only write when I am truly inspired to write, when I want to write. I put off writing, saying I will do it when I am able to set aside a large chunk of time to just sit and write and organize my thoughts. And it takes a long time to even do just that, when I have set aside time.

But here is my sample from fiction nonetheless:
(It is incomplete. I intend to finish this portfolio fully, but find that I cannot within this time limit. This is very much the fault of my writing habit and I am very sorry – I will get my missing pieces up as soon as possible.)

Writer response: Milos Macourek

Macourek imitation: Johnny’s Goldfish

Stranger Studies: England Strangers

Kafka Re-appropriation: The Boy Who Cried

Extraordinary –> Ordinary: Petrified

Dialogue Exercises: 1st, 2nd, 3rd person narrators

1st person short story: Pete’s First Date

Some exercises from my journal.

My long fiction piece is still unfinished as of yet…I will post it soon to complete my portfolio.

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fiction piece in progress

April 16, 2008 · 2 Comments

(this is just a rough beginning…I’ll keep updating as I piece things together)

Story of the Stone

I’ll tell you I found it. One day, among some rocks in a riverbed, perhaps. I might tell you, if you point to my neck and ask, almost touching it, that the sun was shining in a cloudless sky that day, and a glint in the water caught my eye.

That is what I tell little kids, sometimes, because they have a fascination with found things, and it sends them scurrying off to riverbeds and trickling streams, squinting into the water despite the glare. Sometimes they find things like smoothed broken glass and that is enough. But that is not what I told Diego, when we first locked eyes two summers ago. It was a swelteringly hot day, even for Mexicans, and when I was forced, at midday, to leave my small but cool hostel room in search of water, no one was in the streets. I walked in the heat for a bit, and that was when we locked eyes. Or rather, when he locked eyes with my necklace.

There is a stone I wear around my neck. It is a bead, really – a stone, that lies horizontally with a hole drilled through it for a string to run through. Its shape is an imperfect cylinder that is slightly longer than the length of my lips and slightly wider than the width of them. It is called a Three-Eye stone because of the pattern. It has three eyes.

His mother clapped her hands together and said Diego, my son Diego, a few times before noticing me. When she finally did, she repeated the episode with increased fervor, replacing my name, which she did not know, with such a beautiful girl. I smiled as she sprinkled me with these soft Spanish words and continued to smile as she leaned in close to examine the stone.

“What is this, anyway?” William traced his hand down my face, gliding his fingers over my neck to get a closer examination of the stone. I cupped my hand over it before he could touch it. He lifted his head up off the pillow and looked at me through the darkness. “You’re not supposed to touch it,” I explained, “It’s bad luck.” And though his face was only a few inches from mine, I had trouble making out his expression. My hand still covered the stone. “Is that what the gypsies told you?” He let his head drop back onto the pillow and I couldn’t tell if it was in exasperation or simply tired disinterest. “I didn’t know you were so superstitious.”

I suppose because the stone is large, it draws attention. And it is unusual; few have seen the likes of it. No one can begin to guess where it might come from. People want to know.

The next day, Diego wanted to introduce me to his family. So he took my hand and took me to his village. His mother was cooking corn tortillas when we arrived in front of her worn, wooden house, thatch-roofed and everything, leaking from the rain and smoking from the cooking. She was expecting the milkman.

The stone is actually from Tibet.

I usually wear it tucked under my shirt, where I can feel it on my skin. Perhaps that is why William didn’t ask me about it until a month into our relationship, because it was wintertime then – a time of warm sweaters and thick coats and a cold that amplified the bell tolls of Big Ben. It was not until he accompanied me back to my flat to politely remove my coat and pull my concealing sweater over my head that his curiosity was piqued. I could tell, during that slow study of my body, that it was my necklace that was the main object of his attention. But he gave my figure its due respect and did not ask me about it until the next morning, when we had become a bit better acquainted.

I told him that a gypsy sold it to me for a good price. He looked amused. “Oh?” “She was a traveling gypsy.” William was not exposed to the world. He had never left the small, proud island that he called home, bowing to the queen, kneeling before the houses of parliament, and I knew he would know nothing of far-away lands. “Of the Ruska Roma.” He did not follow. “The Russian Gypsies.”

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In-Class Exercise: Strange Words

April 10, 2008 · 1 Comment

5 words:
-slukie
-galiven
-vollow
-slitties
-selukilim

Salt

He’s searching all my cupboards again.

“I told you, I don’t have any.”

“Pepper, ground pepper, cloves…selukilim? You have selukilim and you don’t have salt?”

I smile as he galivenly sniffs the small bottle of selukilim. The kitchen is in a vollow state. Half-chopped onions litter the countertop. Chives, parsley…a whole slukie of vegetables still haven’t been washed.

“What’s this?” He pulls out a half-rotting zucchini from somewhere among the mass of decaying vegetables. He makes a face and tosses it into the slitties.

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Dialogue Exercises

April 10, 2008 · 1 Comment

3rd person:

“Which is apparently unprecedented, or not unprecedented, but—”

“But very unusual.”

“Largely. Yeah, largely.”

Thomas looked back down at the newspaper and continued to read.

“Historical,” she said.

He nodded. She was looking out the window, staring the sun down. It cut into her eyes and made her squint. Thomas paused in his reading to examine her over the top of his newspaper. He thought her rather pretty.

“Oh, if I could go back now…” The sun threw sparks into her red hair.

“Go back…”

She tore her eyes away from the sun to look at him, and he thought he saw its light still lingering there.

“Home.”

And she was squinting at the sun again.

2nd person:

“I really want more chicken, but there isn’t any more.”

What do you say to that? You might say gee, that’s really too bad or you might say maybe that’s because you ate it all, but you think it best not to say anything, so you continue looking down at your plate of food and continue feeding yourself, pretending you didn’t hear.

“I need more water.”

You’ve been sitting here for an hour now and you wished fifty-four minutes ago that you hadn’t listened to your friend who’d set you up. After her first plate of food you’d already listed twelve other places you’d rather be, and by the time she finished her fourth course, you’d revised it to include twenty-seven others.

She has her mouth full but she manages to talk between chews and swallows.

“The beef’s a little salty but it’s bearable.”

No, you think. It’s not bearable. In fact you find her quite repulsive.

Look, you say. They’re putting the buffet away. The restaurant is closing.

She looks surprised. “Oh!” A bit of meat flies from her mouth and lands two inches away from your fork.

You stand up to excuse yourself and walk quickly towards the restroom.

1st person:

“Cigarette for the winner?”

He passed one to me and I lit it against the wind.

He laughed. “I’m the only fucking sober one here.”

I watched as he swung the beer bottle in the direction of his mouth and missed, sending glugs of beer down the front of his shirt. He cast the empty bottle aside and I watched as it rolled down the pavement, gritting against the cement and making a hollow sound.

He made to stand up but swayed instead. I stood to help him but he pushed me aside, angry now.

“I’m the only damn fucking sober one here.”

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Extraordinary –> Ordinary

April 8, 2008 · Leave a Comment

(untitled as of yet)

They were not cries for help, but rather grunts of physical exertion. Walking along in the woods, enjoying the clear autumn day, Peter heard these noises from somewhere above, in the trees. He looked up and saw a girl stuck there.

Her head was lodged in an owl’s hole in the large oak that stood before him. She had a hand on either side of where her head would be, pushing against the trunk of the tree.

He stood awhile and looked up the fifty or so feet between them. And remembered, vaguely, a distant fear of heights.

Her body protruded perpendicularly from the trunk of the oak and held, horizontally, unsupported. It tightened with every effort of freeing her head. Loosened briefly, tightened again.

He did not consider helping her (the simple effort of thinking this was too much) and so lowered his head, turned down his gaze, and shuffled again through the damp leaves.

When he returned an hour later, following the trail back the way he had come, the low hoot of a common owl made him stop once more under the oak tree.

It was perched on a branch in the figure of a girl, resting on her right calf. Peter looked more closely and thought he saw her knees twist into knots, thought he caught a slow change from the folds in her clothing to the lines of the oak bark.

He stared at the girl, as if petrified, then, suddenly seized by some sense of urgency, hurried off in the direction of home.

The owl swiveled its head towards the hole now sealed by the girl. It raised one wing slightly, then settled it back into place.

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Kafka-like re-approriation of folktale

April 2, 2008 · 1 Comment

The Boy Who Cried

I don’t target sheep. I target shepherds. The other wolves look for weaklings in the flock – the young, the old, the frail and sick. I look for weaknesses in the shepherd.

This one was a liar. He performed so well, it only took me three days to get the job done. All I had to do the first two days was lay in the grass and watch the clouds go by, waiting, hidden, watching the villagers come running up the hill. And I would laugh with the boy at their angry faces. Then, I laughed alone at his weeping one.

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Spring Break Stranger Studies (in England)

April 2, 2008 · Leave a Comment

Old Man in Hyde Park
The moment is his, surrounded on all sides by pigeons, the sun shining for him in a clear sky. He holds a brown paper bag of breadcrumbs in one hand and scatters them with his other. The pigeons’ feathers are dark and he wears a dark coat to match theirs. He takes comfort in their company because it is the only company he can find. Age has defined him, and he finds solace in the grounded pigeons who are really only there for the breadcrumbs, taking what they can get.

Two Musicians Under a Bridge
I heard them before I saw them. That’s what they were to me at first: a violin and a cello, acoustically magnified in what I can only describe as half-tunnel, half-bridge.

The violinist was tall. Thin. He moved as though the violin were playing him, its strings moving his hands, his body, in motion with the ups and downs of the melody. The bow made a dip and the violinist dipped his head accordingly.

The cello player sat on a three-legged stool. He was plump. His fingers plucked the living instrument not only in perfect harmony with its violin counterpart, but in notes that stood on their own.

He wore polished leather shoes. The violinist had a Burberry scarf draped loosely around his neck.

The cello case laid open on the ground in front of them. In it were a number of coins: pence pieces, mostly, a few pounds.

Woman in an Art Gallery
She moves from painting to painting with a sketchbook in hand and pauses in front of each one just long enough to sketch, in pencil, its general shapes and lines. She loses interest quickly, though, so that before she knows it, she has already been around the entire room, has already recaptured all the paintings. The room is one of many housing the impressionist collection. Monet is next door. Van Gogh is not here. These are lesser known works so she, by principal, gives them less time and pushes open the door to where Renoir resides and turns her sketchbook to a new page.

Three Brothers in a Pub
They all have a large glass of beer in front of them. A tall glass – half a liter, give or take. They are sitting at a square table, two on one side facing the other, conversing.

Let me begin with the eldest.
He claims his own side of the table, facing his two younger brothers. The beer in the glass before him is steadily diminishing, but I don’t see how, for there is no break in his speech to provide time for taking a whisk. He is the smooth-talker, I can tell, by the way he smiles at the waitress, the way he leans back in his chair nodding at each of his brothers in turn, explaining to them the ins and outs of life.

The middle brother has blue eyes and an honest expression. His hair is curly, unlike the other two, and he listens. He gives every word some thought and never argues, always an agreeable look on his face. And whenever someone talks, he turns to look at him with respectful attention.

The youngest of the three is shy, perhaps made that way by virtue of having two older brothers who take care of the talking, the charming, the answering of questions for him. He is looking down at his hands now, as his eldest brother carries on about politics or love, and wishes perhaps that the pretty waitress would address him, this time, when she asks for a second round of drinks.

Brittany’s Gran
“Milk. We need milk for the tea.” She got up again to retrieve the tiny silver pitcher of milk, set it on a dish, and place it on the table. At 88, she was really going. She had spent two hours this morning washing her hair and fixing it in curlers and now sported a reasonably well-styled mane for her guests. Every teacup had its gold-rimmed saucer and every saucer had its teaspoon. She shuffled back into her chair and looked around the table to see how everyone was getting on. Finally satisfied, she poured herself a cup of tea with milk and sugar, took a sip, proclaimed it to be too cold, and got up to boil more hot water.

Stranger on the White Cliffs of Dover
It is windy, so of course his long grey overcoat is flapping in the wind. He stands close to the edge of the white cliffs – close but not dangerously close, staring out to sea. He thinks he can just make out France in the distance, but the sky is grey and overcast and he is not sure whether it is low clouds or a land mass that he is seeing. He is alone here, or if there are other people, they are very far away, observing him from a distance as a lone grey figure flapping in the wind. He is looking for the bluebirds of the song but all that is here are the seagulls flying low under the grey clouds.

On The Airplane
She has been flying for over two years now so she knows what she’s doing. As soon as the plane finished its take-off ascent and leveled, she pulled off her black pumps and replaced them with her black loafers with cushioned insoles. Comfortable now, she approaches the passenger who has pushed his Call Attendant light. She smiles politely down at him and nods as he makes his requests. When he is done, she turns to perform her duty, listing off her errands on her fingers as she makes her way down the aisle.

One-Scene, Two-Sentence Story in which Three of These Characters Meet
The old woman got up from the table and bumped it as she did so, knocking the teacup from its gold-rimmed saucer and shattering it on the tiled floor. “Leave it,” her daughter said, pulling out her leather-bound sketchbook and her tin pencil case of newly sharpened charcoal pencils, beginning to sketch the fragments of china on the ground, ignoring her mother’s protests and getting angry when she began to clean up the mess and ruin her still life portrait, and getting angrier still when her boyfriend, who already had his violin out of its case, picked it up and began to play the melody of their argument.

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Reflection on Creative Non-fiction

March 21, 2008 · Leave a Comment

I am sitting in a Coffee Republic in a small town called Seven Oaks just outside of London, writing this reflection. I have just stepped out of a historical site – Ightham Mote, a house built in 1377, and I feel as though I am really reflecting, so far removed now from the place and time of my writings of the past few weeks.

I enjoyed this unit tremendously. I think much of it had to do with the exploration of self and the reflective aspect and nature of the genre. Writing some of the exercises during this unit and doing the longer pieces gave me assigned time to think about myself, which I thought quite uplifting, in a way, because we, as students, are so busy these days that we hardly ever have time to contemplate—really contemplate—things such as our childhoods or moments that have shaped us. Writing about these moments gave me an opportunity to get in touch with myself, and I think I needed this.

The idea that came up during this unit that sticks out most to me is the sense of urgency that should be present in one’s writing. Every piece we write should feel like it had to be written.

This “writer urgency” developed, for me, when I wrote my long creative nonfiction piece about my mom, memory, and stories. It felt like a piece that, when I was writing it, was just waiting to be written. It was therapeutic, in some ways, to write, because it needed to be told and I never let it be, for almost three years.

I have also begun to explore the process of revision more attentively, a process which I have largely neglected prior to this. It is very helpful to go into a piece and look for images that can be developed, narrative voices that can be changed. In my long piece “Under An Umbrella, Safe From The Rain”, I explored (after meeting with you) one word (“sanctuary”)and began to open a new layer to my story – a layer that already existed there, but that I hadn’t yet brought to the fore for the reader. I’m not sure I do this fully, yet, due to the time constraint, but I believe this to be a piece I will return to.

I mentioned to you that I am a slow writer. And I find it frustrating sometimes to do exercises in class that I don’t finish, so I usually ponder on them afterward and write them in completion (or as close to completion as any exercise can get) on my own time. But I think I could improve on this point: to just get my thoughts down and practice having words flow more easily from my pen.

Here is the longer piece: Under An Umbrella, Safe From The Rain

Shorter piece: Catching Dragonflies

Stranger Study Short (I am really not happy with this piece and have not revised as much as I would like. I think I neglected it more, time-wise, to work more on my other pieces which I thought had more potential): An Average Stranger

Response to a writer: Thomas Lynch

Braided in-class essay that is not creative nonfiction, but that introduced me to a form that I like enough to employ for my longer piece: A Cat-like Affair

Excerpts & Exercises from my journal:
A History of Glass
On Storms
Smoke
Public Bus
Pitcher
A Brief Meeting (a beginning only)
Road to Nepal (a beginning only)

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Rough rough draft of long piece

March 19, 2008 · 6 Comments

I scanned the entire volleyball court for her, only to find her sitting on the sidelines. Her eyes were closed. Movement danced around me on all sides, but my eyes were locked on her motionless figure. What’s wrong? I asked. In her right hand was a container of Advil, in her left, a bottle of water. Mom never takes pain relievers. What’s wrong?

I don’t want to start here, but I must adhere to the truth. For the truth is, this is where it begins. I don’t want to begin here because I don’t want her death to be the trigger for my memory of her life. But I’ve slowly come to realize that only in death does life have any real meaning anyway. It is the fact that there is a definite end that makes each standing moment stand. Moments are remembered. Death first, then immortality.

She was brilliant, he says. He shakes his head. Head of the class. My dad wraps his large hands around his mug of tea and drinks. He sets the mug gently on the table and, with his hands still wrapped around its circumference, looks down into it. I remember, he begins. He is now reading the tea leaves, but these are tales of the past…

She used to wear her hair in two braids and never paid me much attention. I was from the country, you see. A country boy. Your mom, she was a city girl. But not like the other city girls, you see. None of that haughty pretention, that strutting around the streets as if a foot above everyone else, looking down. No, she was grounded.

Let me tell you something about stories. It’s something I learned, telling them. Words are magical. They make things…last. Moments exist in eternity, eternally – over and over they unfold and refold. And people never die, in stories. They just keep on living.

I took the Advil out of her hand and she opened her eyes at me. A headache, she said, and smiled. She set the bottle of water down and cradled her head with both hands. Her eyes were shut again. Just a bit of a headache. And despite the smile that rested lightly on her lips, I caught a leak of pain in her expression.

She never paid me much attention because no one paid me much attention. He laughs, takes another draught of tea. You could say she was the first, in fact, to even chance me a glance. And, just like that, he is lost in his sanctuary of memory.

She said she would be O.K., but Dad and I knew something was off kilter, decidedly amiss, somehow not quite right. It was a topos of the world turned upside down. It’s a feeling you get when you know someone well. Well enough to know that she never gets headaches. Well enough to know that she never takes pills. That she never sits on the sidelines.

We put her in the car and drove her to the hospital. Before we arrived, she fell unconscious in the backseat. When we got to the emergency room, they had to put her on a stretcher.

The doctors here decided that my mom needed to get to the neurological center downtown. We’re putting her on a helicopter, they said. Wheels aren’t fast enough. Just before they wheeled her onto the helicopter, they asked me if I had anything I wanted to say to her. I just stared. If you have anything you to say, she might still be able to hear you. I had nothing, so they strapped her into the helicopter.

We were in the same class and we were paired up because she was the best and I had the most dire need for improvement. My dad chuckles. I remember, once. We were getting onto a bus. Or she was getting onto a bus, rather, and I was curiously following her. Accompanying her, if you will.

When Dad and I arrived at the neurological center, people were already expecting us. We made a move to sit in the waiting room, but they steered us to another space – our own waiting area, separate from everyone else. We were told to wait there, shut off. Distanced. I seated myself in a chair and tried not to think much.

It was pouring rain that day and I didn’t have an umbrella, otherwise I would’ve given it to her. We were standing in the middle of the bus, holding onto what we could, when she turns to me and says she’s had enough. I’ve had enough of you following me around! she says. Off you get! There is not enough room on this bus.

At some point, a doctor walked into the room.

Perhaps this is how life goes. We think, sometimes, that life can fix itself. This can’t be happening to me because it can’t be happening to me. We rely on the doctors of our lives to take care of things that go wrong, that are beyond our control – our capability, or knowledge. Monthly physical: all systems in full health. But what if we get a bad report? What if the doctor delivers only bad news? What if there is nothing we can do to make him tell us something else?

The doctor walked into the room and strode purposefully toward the chair in which I sat. His manner was cool, steely. Braced, is the word. His eyes fixed steadily on me as he advanced, and mine likewise followed him in his approach. When he reached my chair, he placed one hand on the armrest and knelt down so that he was perfectly eye-level with me. And when he spoke, it seemed I was listening to a news anchor, looking into a T.V. screen, through the lens of a camera.

Brain aneurysm, he reports. Less than 1% chance of survival.

Everything is going well in life, and then, at some point, a doctor walks into the room.

And he asks me: Do you believe in miracles?

I was shocked, of course. Enough so to obey. So the bus stopped, I got off, it closed its doors behind me and continued on. And suddenly I found myself standing in the rain! I was just standing in the rain.

That’s what stories do. They keep people alive. But words can never become the person, can never recreate every aspect of his multi-faceted character. But what else do we have? Words can last even after the memory fades. So, slowly, the person becomes the stories, because the stories are all that are left. It’s imperfect immortality, but it’s the closest we can get.

My dad has finished his tea so that all that is left now are the tea leaves. He is smiling down at them as he recalls…But she came back. I must have been standing there a quarter hour at that stop, so wet my bones felt wet. But there she was, stepping off the return bus, carrying the umbrella I’d given her so that she wouldn’t get rained on.

My dad is quiet for a minute. He looks up. I reach over for the kettle of hot water, and refill his mug of tea.

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